Star Too

Experimental Theatre Project | 2011-14

“In 2009 I heard Theatre du Soleil was holding a special atelier so I dropped
everything and went. I was transfixed by what I learned there and came back to the UAE possessed by the idea of starting an experimental theatre group here and I met awesome people who took on the challenge of creating that together. We had no budget, so we did away with costumes, set pieces, even a stage, practicing instead in the industrial zone, thanks to The Fridge, a great arts venue, using projection instead of sets and bits of cloth instead of props.” –
Sol Abiad, Founder – STAR TOO

STAR TOO  is Dubai’s first experimental performance art collective founded in 2010 by theatre director Sol Abiad along with a group of dancers, theatre practitioners, visual artists and IT specialists.

Productions, greatly inspired by the works of Brook, Mnouchkine, Lepage,
Warner, and Wilson, are all original creations devised by members of the
collective, with a physical, minimalistic and multi-disciplinary approach to
theatre-making.

Commissioned artists at Dubai Culture & Arts Authority Sikka Art Fair in 2013, the STAR TOO collective has signed 8 original creations including Where is Home (2010), What Art Thou Wearing (2011), Is it Real (2012), Are you There (2013) and Why Cross (2014).

“Drawn to alternative narrative structures and laboratory-style theatre creation, I became part of the collective in 2011. Following a laissez-faire approach, each season we co-created productions. They were essentially our attempt to answer questions that were socially relevant to us. Through the imaginative use of customized sticks called Artisticks, plain cloth named Its, and a “parachute” that serves as a shape-shifter, we transformed the environment and told stories in an intimate setting, often times hosting the audience inside a giant cloth box we called The Majlis.”

CREDITS

Directed by Sol Abiad 

Star Too Collective Sol Abiad, Flora Diaz-Hurtado, Sarah Dufayard, Jamal Iqbal, Tareq Ghosheh, Assem Kroma, Drazen Lucic, Andreea Zoia, Jaakko Virtanen, Shereen Saif, Laura Quirke, Alexandra Vareno, Mina Kici, Khawla el Hadef, Omaya Nasser, Victoria Wilson Photography Imran Ahmed, Drazen Lucic, Jaakko Virtanen

Thanks to Padraig Downey, The Fridge, Icon Art Production, Dhalia Hafez, Shamsuddin Muneer

featured in

Media

Experimental Theatre is here

Khaleej Times

Is it Real

Show Excerpts

Are You There? by STAR Too at The Fridge

Review – Sohanalysis

Season 6 | Are you there?

Teaser

Season 7 | Why Cross?

Teaser

Why Cross combines majlis and mythology

The National

Other Theatre Projects

Ashputtel | 2020

Grab a Zoom portkey, fall down the rabbit hole and into the world of Ashputtel. It’s Cinderella – but not as you know it…

Bhaskara Pattelarum Thommiyude Jeevithavum | 2019-20

Based on the novelette by Malayalam writer Paul Zacharia, Bhaskara Pattelarum Thommiyude Jeevithavum explores …

Project Rising Star | 2019

Not long after its launch in 1969, the QE2 was struggling to financially sustain operations…

Still Dancing | 2019

“It is a strange cage I find myself trapped in. Yet it is still but a cage. I’m here, the same as ever…

Fading Brightness | 2018

Izzy sits on her cushion in a meditation retreat, swimming in the affair…

Sutradhar | 2018

A Kingdom under siege. As the King contemplates surrender, his daughter comes to accept that her betrothal will form part of the terms…

Macbeth | 2017

Subverting the notion of the all-male casts of Shakespeare’s time, Macbeth features an all-female cast…

Trance-Forms: I am my Language | 2017

Culture plays a key role in the very close and diverse relationship between France and the UAE…

Dangerous Corner | 2016

“The point is, I think—there’s truth and truth. … the real truth—that is, every single little thing, with nothing missing at all, wouldn’t be dangerous…

Romeo + Juliet | 2016

“Weaving through DUCTAC’s corridors, back stage areas, loading bays, and even the roof of Mall of the Emirates,

Shorter + Sweeter | 2015

It is light-hearted, it’s entertaining, it’s upbeat and it’s very fast-paced. Basically it is bite-sized theatre for a bite-sized generation.